Onur Çoban
11 Tem 2022
En son güncellendiği tarih: 4 Ağu 2022
Beach House, founded by Victoria Legrand and Alex Scally, wanted a design that reflected the song's themes to match the dark and dystopian feel of their 2018 album "7". Post Typography's punk-style collage highlights the cinematic feel of the work by interrupting a fragmented female portrait with shimmering foil cuts. Various colors of the rainbow flash as the light changes on the album cover, intended to create a rich experience for the audience to discover something new every time they look at it. This feature makes the album cover a unique object that fans enjoy keeping on their shelves.
Post Typography is a Baltimore, NYC, and Atlanta-based creative agency that creates print, digital, and conceptually assertive work. Founded in 2007 by Nolen Strals and Bruce Willen, Post Typography's work is featured in many locations, from museums to theaters, from book covers to bars.
Design: Robert Beatty
The cover of Tame Impala's album, released in 2015, was designed by artist Robert Beatty. The artist's choice of not depicting familiar objects or scenes in the design leads the design to think about the album Cover as a formative experience, not as a story or setting. The pulsating lines and shapes on Beatty's cover lead us to pay attention to the interactions between the forms and trajectories of melodies, rhythms, and textures, rather than thinking about the definite meanings of the lyrics.
The production of the band's founder, Kevin Parker, also distracts us from thinking mainly about the meaning of the lyrics. The artist's vocals are processed with a high dose of echo reverb, making it difficult to pay attention to the words. When we consider the visual and auditory aspects of the album in terms of form, the connections between the creative process that underpins both are felt.
Design: Eric Drooker
Eric Drooker's illustrations and posters have a familiar image in the global street art movement. Born and raised in New York, the artist exhibited his first works on the streets of NYC. Since then, Drooker's reputation as a social critic has grown, and he has produced numerous editorial illustrations for publications and brands, including Nation, The New York Times, and Progressive.
Illustrator Burak Şentürk
He was born in Istanbul. He studied at Marmara University, Faculty of Fine Arts, Department of Graphic Art. He started his professional career at the age of 10 by drawing and writing cartoons for humor magazines under the direction of Oğuz Aral. He has done graphic design and illustration works for many brands for agencies such as TBWA, Placenta, Imeanit, Creative, Manajans, Fine Arts, Young&Rubicam/Reklamevi, Art Group, Sistemsensin, Daniska, Medina Turgul DDB, and Benefit. Burak Şentürk, one of the two artists of Wacom International in Turkey, continues his works for international joint projects and exhibitions.